Tag: Doomsday
May 21 / / Industry

Death in Comics, Part 2

In my previous post about death in comics, we discussed the role of civilian deaths and how writers use it to propel their stories forward. In this post, I wanted to touch on a few superhero deaths that rocked the comic world. There were many to choose from and as iconic as Superman’s death at the hands of Doomsday, but after doing research, I noticed an intriguing pattern; that dead superheroes don’t stay dead for long! For this discussion, I wanted to focus on those superhero deaths that made an impact to their respective stories but also spent some time in the grave (so to speak).

We begin with a bold move by Brian Michael Bendis in the pages of Ultimate Spider-man with the “Death of Spider-man”. In the Ultimate universe, Bendis kills off Peter Parker! Crazy right? But that’s not where the story ends. Oh no! Bendis introduces us to Miles Morales, a half black, half hispanic teen who was bitten by a genetically-altered spider that gives him superhero powers. Sounds familiar, right? Miles actually witnesses Peter’s death and feels so guilty that he didn’t use his powers to save Peter, that he takes up the mantle of Spider-man.

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April 27 / / Industry

Recommended Discussion: Retcon

Retroactive Continuity, or Retcon, for short is a term that is all together too common in the comic book world. It basically means that there’s an alteration to an established fact within continuity, and comic book writers use this strategy to add, remove, and of course, alter stories.

With all the stories being written and new creative teams taking the reins for various properties, there always a chance things will get retconned. As a reader, it’s something that I don’t personally enjoy but I understand where publishers and writers are coming from. It sort of reminiscent of the music industry where nothing is original anymore. But with so many talented creatives entering the comic book industry, new stories are being thought up with fresh perspectives such as Scott Snyder’s addition to the Batman canon with his Court of Owls story arc or Francis Manapul’s work on The Flash.

But retcon examples litter the stories we read.  A prime example when a writer added something that wasn’t already established within continuity is what Brian Wood began on IDW’s Star Wars before Kieron Gillan picked up the mantle when it moved over to Marvel. Wood started to write stories that involved all our favorite Star Wars characters from the point after the Battle of Yavin, right after Episode 1: A New Hope.

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